|
Primary Colour | AE Prints | ||||||
| Seq | Photographer | Title | Result | |||||
| 1 | Mike Stanley | Arlington Row, Bibury | ||||||
| 1 | Nick Pitt | Come On Michelle | ||||||
| 1 | Jodie Henderson | Fearsome | ||||||
| 1 | Gary Henderson | Kingfisher | ||||||
| 1 | Lyn Day | My Best Side | ||||||
| 1 | Terry Onslow | Neglected | ||||||
| 1 | Martin Dent | Rosie At The Mad Hatter's Tea Party | ||||||
| 1 | Geoff Astle | The Lodger | ||||||
| 2 | Nick Pitt | Blackbird Bathtime | ||||||
| 2 | Jodie Henderson | Catch Of The Day | ||||||
| 2 | Martin Dent | Censored | ||||||
| 2 | Terry Onslow | Chimney Stacks 2 | ||||||
| 2 | Geoff Astle | Dream Boat | ||||||
| 2 | Lyn Day | Speckled Wood On Leaf | ||||||
| 2 | Mike Stanley | The Troll Houses | ||||||
| 3 | Terry Onslow | Go | ||||||
| 3 | Lyn Day | In The Moment | ||||||
| 3 | Jodie Henderson | Little Owl | ||||||
| 3 | Mike Stanley | Old Town Of Stravanger | ||||||
| 3 | Geoff Astle | Peek-A-View | ||||||
| 3 | Nick Pitt | Swan | ||||||
| 3 | Martin Dent | When Is It My Turn | ||||||
| 4 | Terry Onslow | Carnival Girl | ||||||
| 4 | Mike Stanley | Expanding Family | ||||||
| 4 | Geoff Astle | Fill Her Up | ||||||
| 4 | Martin Dent | Speed! | ||||||
| 4 | Lyn Day | Summer | ||||||
| 5 | Terry Onslow | Converging Divergence | ||||||
| 5 | Geoff Astle | Lochside View | ||||||
| 5 | Mike Stanley | Arlington Row Resident | ||||||
| 5 | Lyn Day | The Old Granary | ||||||
| 5 | Martin Dent | View Through The Great Tithe Barn | ||||||
| 6 | Mike Stanley | Black Swan | ||||||
| 6 | Terry Onslow | Homeward Bound | ||||||
| 6 | Martin Dent | Irisis | ||||||
| 6 | Geoff Astle | Red Arrows | ||||||
| 6 | Lyn Day | Sunset Over Portland | ||||||
| 37 | ||||||||
|
Primary Monochrome | AE Prints | ||||||
| Seq | Photographer | Title | Result | |||||
| 1 | Lyn Day | Caught In Time | ||||||
| 1 | Terry Onslow | Concentration | ||||||
| 1 | Mike Stanley | First Smile | ||||||
| 1 | Geoff Astle | Swindon | ||||||
| 1 | Martin Dent | Tearful Rosie | ||||||
| 2 | Mike Stanley | Family Line | ||||||
| 2 | Geoff Astle | It's Over | ||||||
| 2 | Terry Onslow | Men At Work | ||||||
| 2 | Martin Dent | Rosie | ||||||
| 2 | Lyn Day | Wareham Quay | ||||||
| 3 | Terry Onslow | Bleak Midwinter | ||||||
| 3 | Mike Stanley | Church | ||||||
| 3 | Martin Dent | Rosie Lee | ||||||
| 3 | Geoff Astle | St Davids | ||||||
| 3 | Lyn Day | Time Machine | ||||||
| 4 | Terry Onslow | Chimney Stacks | ||||||
| 4 | Lyn Day | Power On | ||||||
| 4 | Mike Stanley | Richard | ||||||
| 4 | Geoff Astle | The Coulins | ||||||
| 5 | Terry Onslow | Past Farming Methods | ||||||
| 5 | Geoff Astle | Silver Screen | ||||||
| 5 | Lyn Day | The Old Tree | ||||||
| 6 | Terry Onslow | A Long Walk Home | ||||||
| 6 | Geoff Astle | Winter Walk | ||||||
| 24 | ||||||||
| "An image is considered to
be monochrome if it (in addition to a straight black and white image) is a toned black and white image with or without different shades. |
||||||||
|
Advanced Colour | AE Prints | ||||||
| Seq | Photographer | Title | Result | |||||
| 1 | John Day | A Pigeon Called Dyson | ||||||
| 1 | Anna Stowe | Autumn Sunrise | ||||||
| 1 | Gordon Packer | Lacock Cat | ||||||
| 1 | Terry Walters | Louisa Sunset | ||||||
| 1 | Shirley Johnson | Murray Tower | ||||||
| 1 | Robert Albright | On Hell's Threshold | ||||||
| 1 | John Parsloe | Red Ground Thrush | ||||||
| 2 | John Day | A Church In Metz | ||||||
| 2 | John Parsloe | Bald Eagle | ||||||
| 2 | Robert Albright | Salt Mound, Sahara Desert | ||||||
| 2 | Anna Stowe | The Pier And The Rocks | ||||||
| 2 | Terry Walters | What Is In The Dark | ||||||
| 2 | Shirley Johnson | White Orchide | ||||||
| 2 | Gordon Packer | Wilton | ||||||
| 3 | Terry Walters | Asylum Stairs | ||||||
| 3 | Robert Albright | Civil War Judge | ||||||
| 3 | Gordon Packer | Lacock | ||||||
| 3 | John Parsloe | Leopard | ||||||
| 3 | Anna Stowe | Silbury Hill | ||||||
| 3 | Shirley Johnson | Silver Birch Town Centre | ||||||
| 3 | John Day | Standing Out From The Crowd | ||||||
| 4 | Shirley Johnson | Flower Study | ||||||
| 4 | Gordon Packer | Green Doors | ||||||
| 4 | Anna Stowe | Haven | ||||||
| 4 | Robert Albright | Louise Gazing | ||||||
| 4 | Terry Walters | Number 6 | ||||||
| 4 | John Parsloe | Road Runner | ||||||
| 4 | John Day | Tiger | ||||||
| 5 | Anna Stowe | Andante | ||||||
| 5 | John Day | Another Small Ripple In Time | ||||||
| 5 | Terry Walters | Danny Deciding | ||||||
| 5 | Robert Albright | Do Come In | ||||||
| 5 | John Parsloe | Gibbon | ||||||
| 5 | Shirley Johnson | Splash Of Red | ||||||
| 6 | John Day | A Particular View Of A Dead Tree | ||||||
| 6 | Shirley Johnson | Boat 2 | ||||||
| 6 | Robert Albright | Lone Rider | ||||||
| 6 | John Parsloe | Meerkat | ||||||
| 6 | Anna Stowe | Old Master | ||||||
| 6 | Terry Walters | Wild Woman | ||||||
| 40 | ||||||||
|
Advanced Monochrome | AE Prints | ||||||
| Seq | Photographer | Title | Result | |||||
| 1 | Shirley Johnson | Dodgy Man | ||||||
| 1 | Terry Walters | Bath Photographer | ||||||
| 1 | John Day | Girl On A Bicycle | ||||||
| 1 | Robert Albright | High Noon | ||||||
| 1 | Anna Stowe | One On A Hill | ||||||
| 2 | Terry Walters | Danny Imposing Mono | ||||||
| 2 | Robert Albright | Entrance To A Moor's House | ||||||
| 2 | Anna Stowe | Grand Entrance | ||||||
| 2 | Shirley Johnson | Heart Of Love | ||||||
| 2 | John Day | Voyeur | ||||||
| 3 | Terry Walters | Evie Tipping Mono | ||||||
| 3 | Robert Albright | Locomotive | ||||||
| 3 | John Day | Man With A Temporarily Unwaxed Moustache | ||||||
| 3 | Shirley Johnson | Water Music By Handle | ||||||
| 4 | Robert Albright | Backyard | ||||||
| 4 | Terry Walters | James Mono | ||||||
| 4 | John Day | Prowl | ||||||
| 4 | Shirley Johnson | Solitude | ||||||
| 5 | Robert Albright | It Used To Be Fun | ||||||
| 5 | John Day | Monument To God | ||||||
| 5 | Shirley Johnson | Mysterious Man | ||||||
| 5 | Terry Walters | RosieJane | ||||||
| 6 | John Day | Brick Exhibition | ||||||
| 6 | Shirley Johnson | Smoke Cover | ||||||
| 6 | Robert Albright | Townscape Clouds | ||||||
| 25 | ||||||||
| "An image is
considered to be monochrome if it (in addition to a straight black and white image) is a toned black and white image with or without different shades. |
||||||||